By Kelen Conley & Thomas Crawford
Kelen Conley: The fifth season is finally here and the premiere didn’t disappoint. Things pick up right where they left off, as we rejoin our group in the same boxcar we left them in at the end of “A”. Secrets are revealed, walkers are killed, and one person goes Rambo on the bad guys!
If that’s not enough warning, SPOILERS AHEAD. Continue reading
By Jacob Slater
And finally, our epic conclusion. What film shall take the top spot on the list? Will Halloween be saved? Read on and find out.
11. An American Werewolf in London (1981), directed by John Landis
Dracula. Frankenstein. The Mummy. The Wolf-Man. Ever since the original run of Universal horror movies way back in the 1930s and 40s (and before that if you count the 1910 film version of Frankenstein), we’ve seen these four concepts, if not the exact stories repeated in hundreds of films since. Occasionally it works out okay, like the Hammer Films run in the 1950s (so much Christopher Lee…), but in most cases, like the 1972 shit-fest Dracula vs Frankenstein, it doesn’t. But they have the name recognition I guess, and if you’re in the business of selling movies rather enjoying them, I suppose it doesn’t really matter how you’re using the property as long as you can squeeze a few more bucks out of the audience. The pessimistic world of movies, kids.
By Jacob Slater
Part 2 of my landmark Halloween movie list. Hopefully some folks have already found some movies to their liking.
21. Vertigo (1958), directed by Alfred Hitchcock
In the world of filmmaking, there are few people as influential in the field as Alfred Hitchcock. Not only in terms of constructing narratives and cinematography, but also in raising the status of the director within the film industry. Aside from maybe Orson Welles, who acted as well as directed, Alfred Hitchcock was one of the first directors to become famous as a figure in pop culture outside of his films. Nowadays of course ‘auteur’ directors are commonplace, in fact they’re probably the standard, but Hitchcock basically made himself a brand name in the days when most people thought the director was just someone who told a guy where to point the camera. There’s a reason that Hitchcockian is considered a legitimate adjective in regards to film, along with Lynchian and Whedonesque. Also, Alfred Hitchcock, David Lynch and Joss Whedon are all film directors who have had their own television shows. Coincidence? I don’t think so.
By Jacob Slater
Last year, I decided to do a little thing in celebration of Halloween on my oft-neglected fim blog (which you can find at thunderplanet.blogspot.com if you feel like torturing yourself). It was a list of 10 spooky movies that I thought were really damn good, so I thought I would put a good word in for those with my nonexistent readers, so that they might try the movies out themselves and perhaps a few new favorite movies. I didn’t really give myself enough time to really work on the thing though, I think I wrote and posted it the the week of Halloween, and several of the films were those that didn’t need that much help, like John Carpenter’s The Thing. Like most things in my life, it was ultimately disappointing.
So because I watch/read/listen to so much stuff but still want to give my opinions on things without typing up a 1000 word post, I’ve created a video version of a Hyphenated Review. I rattle off some thoughts for about 10 minutes or less, slap an image from what I’m talking about with the audio, create and upload to my YouTube channel. (Almost) instant Hyphenated Review.
I’ve been watching The Monday Night War series on the WWE Network and it does deliver what the title states: stories of the Money Night War. But since there’s three sides to every story, we get a certain view on the War with every episode. Still a fun watch for any wrestling fan.